The English Football Association has been forced to issue a humiliating apology to Nigerian born female player Eniola Aluko for ill judged attempts at joking.
The FA admitted and accepted that jokes made by the team’s manager Mark Sampson were unacceptable and racially prejudiced.
The England striker was speaking before a Digital, Culture, Media and Sport (DCMS) select committee about events that led to the sacking last month of Sampson as manager of the women’s national team.
Earlier in the year Aluko had alleged that in 2014 Sampson had asked her to make sure her Nigerian relatives didn’t bring the ebola virus to the friendly against Germany at Wembley. It was also claimed that Sampson had also made derogatory comments about another mixed-race player, Drew Spence, during his tenure as England women’s boss.
The Daily Telegraph reported that Sampson was sacked last month following unrelated revelations about inappropriate relations during his time in charge of the Bristol City women’s team, but yesterday’s hearing focused on the claims of racism.
Independent barrister Katharine Newton concluded in her report that Sampson – who had been exonerated on two previous occasions about the allegations – was not racist, but that his attempts at humour towards the two players were “ill-judged”.
Commenting on the findings Aluko said she felt “vindicated and relieved”, adding: “Although I’m grateful to be here, does it have to come to this? There’s been an agenda to protect Mark Sampson, and an agenda to protect the FA’s reputation.”
Aluko, who also alleged that England goalkeeping coach Lee Kendall had addressed her at one time in a fake Caribbean accent, revealed that she had been awarded an £80,000 settlement by the FA.
However, part of this payment would be made only if she released a statement in which she cleared the FA of being “institutionally racist”.
She explained: “Martin Glenn said if I wrote a statement he would release the second tranche of the money. I felt that was bordering on blackmail. I categorically refused to write it. It’s not for me to come up with that determination. I would never say the FA are institutionally racist.
“My comments were based on comments to me and Drew Spence and how they handled that. For Martin Glenn to say I should say that in order to get a payment I was contractually agreed to is appalling.”
FA chief executive Glenn has “sincerely apologised” to Aluko and Spence for the remarks made by Sampson and in a statement the organisation said: “Based on new evidence submitted to independent barrister Katharine Newton, she has now found that they were both subject to discriminatory remarks made by an FA employee. This is not acceptable.”
Neither Glenn nor FA chairman Greg Clarke believed there was a case for them to resign, even though one MP, Jo Stevens, described their governance as “shambolic”.
Instead, said Clarke, they would ensure there was no repeat of the scandal. “There were systemic, historic failings which contributed to this mess,” he admitted. “When I took the job, there was one other decent applicant. It’s career death. I’m willing to risk my reputation to make it better. If it doesn’t get better, it’s my fault.”
HOW THE STORY HAS EVOLVED
August 6: Sportsmail reveals that the Football Association paid hush money to Eni Aluko to keep quiet over an investigation into her claims of racism and bullying against Mark Sampson.
August 8: Aluko speaks out and says she was silenced after making her claims.
August 18: Sampson says he needs to communicate better after FA release summery of report into Aluko’s allegations.
August 21: Aluko claims Sampson once told her to make sure her Nigerian relatives did not bring Ebola to a match at Wembley.
August 23: Lianne Sanderson accuses Sampson and the FA of creating a culture of fear by axing players who dare to raise issues.
August 25: England boss Gareth Southgate gives his backing to Sampson.
August 25: Drew Spence is revealed as the player involved in Aluko’s allegations about a comment made at the 2015 China Cup.
August 30: Aluko says she is ’embarrassed and ashamed to be a participant of women’s football in this country’ after accusing FA of endorsing racism.
September 5: Sampson rejects Aluko’s allegations in his first TV interview since the claims were revealed by Sportsmail.
September 8: England midfielder Katie Chapman claims she was dropped after telling Sampson about her divorce.
September 11: FA officials will face grilling by MPs over the situation, it is announced.
September 14: It emerges that the FA could re-open their investigation after Spence writes to officials, corroborating Aluko’s claim.
September 16: It is revealed that Alex Scott was not interviewed during investigation into the allegations.
It has now emerged that many more top shots in Hollywood knew about disgraced producer Harvey Weinsten’s horrendous treatment of women over the years but chose to cover up and keep quiet
Latest to speak up is top Hollywood film director Quentin Tarantino who has admitted he should have spoken out against his long-time collaborator sooner.
In an interview with The New York Times on Wednesday, Tarantino confessed that he was totally aware of Weinstein’s alleged sexual misconduct long before the allegations were disclosed in articles published by The New York Times and The New Yorker earlier this month.
Over the last few weeks, Weinstein has been accused of rape, sexual assault and sexual harassment by multiple actresses, models and tv anchor women but vehemently denies the accusations.
“I knew enough to do more than I did,” Tarantino admitted. “There was more to it than just the normal rumours, the normal gossip. It wasn’t secondhand. I knew he did a couple of these things.”
He continued, “I wish I had taken responsibility for what I heard. If I had done the work I should have done then, I would have had to not work with him.”
Tarantino also confessed in the interview that his former girlfriend, Mira Sorvino, informed him of unwanted sexual advances and unwanted touching by Weinstein when they started dating.
He was also aware of Weinstein’s out-of-court settlement with Rose McGowan who had alleged that she was raped by the producer in the 1990s.
“What I did was marginalise the incidents,” said Tarantino. “Anything I say now will sound like a crappy excuse.”
He then called on other men to take responsibility for not speaking out sooner. “I’m calling on the other guys who knew more to not be scared,” he said, continuing, “Don’t just give out statements. Acknowledge that there was something rotten in Denmark. Vow to do better by our sisters.”
Tarantino has collaborated with Weinstein’s production companies on countless films, including Pulp Fiction, Kill Bill and Django Unchained.
Yesterday, Lupita Nyong’o became the latest actress to accuse Harvey Weinstein of sexual harassment in an emotional essay for The New York Times and the Los Angeles Police Department confirmed they were investigating an allegation of rape involving a model in 2013.
The alleged victim was an unnamed Italian model-actress who said Weinstein “forcibly raped” her at the Mr. C Beverly Hills Hotel in Los Angeles after the 8th annual Los Angeles, Italia Film, Fashion and Art Fest in February of 2013, according to the Los Angeles Times.
“He … bullied his way into my hotel room, saying, ‘I’m not going to [have sex with] you, I just want to talk,'” the woman told the newspaper. “Once inside, he asked me questions about myself, but soon became very aggressive and demanding and kept asking to see me naked.”
Then, she said, “He grabbed me by the hair and forced me to do something I did not want to do. He then dragged me to the bathroom and forcibly raped me.”
Afterward, she said, “he acted like nothing happened.”
Meanwhile, Hollywood leading man Tom Hanks said in an interview with the BBC this morning, that there is “no way back” for Weinstein after the multiple incidents of sexual assault, harassment and rape.
He said that Hollywood is at a “watershed moment” in history amid the developing scandal of the disgraced film mogul. The Oscar-winning actor said he did not feel complicit with an industry which ignored the allegations for decades but said Hollywood needed to listen to ‘everyone who has been a victim’
The Nigeria Police has cleared pop star, David Adeleke aka Davido, of any involvement in the death of one of his friends, Tagbo Umeike.
Autopsy report revealed that Umeike died from suffocation though it was originally reported that he died of alcohol poisoning after his birthday party at Shisha Lounge in Lekki, Lagos.
Davido was invited by the police following rumors circulating in the social media that he was involved in Umeike’s death.
Tagbo’s girlfriend and actress, Caroline Danjuma, accused him of not being truthful about what transpired the night Tagbo died.
Davido’s legal counsel, Mr. Bobo F. Ajudua, said that Davido was released by the police and was absolved of murder allegations against him, and is free to go about his business as he pleases.
“We’ve been to Panti and my client has given a statement there too. It’s clear from all the investigation, evidence, and statements given so far that David was not at any point with the deceased after he left him alive at Shisha room and as such he’s been released to go about his business.”
“Of course if called on to give any more information he would gladly. But in truth, he only knew so much about the night and has reproduced this time and time again. They’ve also observed the consistency between his statements and those of all the others interviewed, as a result he’s been allowed to go,” he said.
Though Davido has been wrongly accused, and many allegations have been made against him in the media, he says that he has forgiven everyone and anyone that had something negative to say about him during this hard time.
“Thank you, Jesus. Any persons that said false things about me or accused me of what I don’t know, I sincerely forgive you and God bless you.”
“We move on, let’s all be better. Thank you, Lord. Thank you to everyone that prayed for me and to those who didn’t, maybe you forgot. We thank God, all in all, now let’s get back to the music,” he said.
Netflix is on track to exceed $11 billion in revenue this year, according to the streaming giant’s Q3 earning report, which was just released. A statement from the company claims it’s “growing nicely across the world” and that “internet entertainment is delighting consumers”.
Despite a recent price hike in subscription rates, Netflix has over 109 million subscribers and remains at the helm of streaming sites. According to eMarketer, which estimates roughly 2.5 viewers for each paid Netflix subscription, there are an approximate 128 million current users in the U.S., representing a 6.6% jump from last year.
Netflix added 5.3 million new subscribers globally (up 49% year-over-year) this quarter, beating its own projections of 4.4 million new subscribers. The company states that it under-forecasted both U.S. and international acquisition. In addition, year-to-date net adds of 15.5 million are up 29% versus last year. “We continued to benefit from a strong appetite for our original series and films, as well as the adoption of internet entertainment across the world,” the report read in part.
“Netflix hasn’t added as many subscribers in Q3 ever before, so the quarter can be considered a record-breaking one,” said Ville Salminen, owner of streaming news site Cordcutting.com and Netflix tracking site Allflicks. “Of course, we don’t know what kind of an impact Netflix’s recently announced price increase will have on current and potential subscribers. Personally, I’m not too worried. The market isn’t, for sure, since Netflix’s stock has never been higher.”
Eyebrows raised when Netflix upped the cost of its subscriptions last week, but the move didn’t backfire as the company’s shares hit an all-time high on Friday, briefly surpassing $200 for the first time ever. In fact, Netflix is up 60% this year compared with Disney’s 7% decline, Time Warner’s 5% gain, CBS’s 11% drop and the S&P 500’s 14% return.
Netflix bumped up subscription costs on two if its three streaming video plans in the U.S. and kept its basic plan, which allows standard-definition video streaming on one device at a time, at $7.99 a month. The price on its mid-range plan, which allows high-definition video streaming on two devices at a time, went up 10% to $10.99 a month from $9.99. Its top-tier plan, which allows for ultra-high-definition video streaming on up to four screens at the same time, was bumped up 17%, from $11.99 to $13.99 a month.
The up in price will, in part, help fund the company’s massive original content budget of $6 billion this year, up from $5 billion in 2016, and expected growth to $7-8 billion next year. Netflix stands strong behind its goal to self-develop, produce and own outright as many high-quality original shows and movies as possible in lieu of licensing content from networks and studios. The streamer’s formula of putting a lot of money upfront for its own content, then seeing a high return on investment over many years has worked.
Per eMarketer, the streaming behemoth will capture 66.2% of U.S. OTT video users. To put this into perspective, Amazon will have 85.3 million viewers this year, or 44.1% of OTT users.
“We see Netflix continuing to lead the way among digital streaming services and we’re holding to our forecast for growth in the connected TV sector,” said Principal Analyst, Video at eMarketer, Paul Verna. “These trends bode well for Netflix, but the company will face increasingly strong competition from established rivals such as Amazon and Hulu, and from new initiatives from the likes of Apple and Facebook. Those competitors are more broadly diversified than Netflix, which relies almost exclusively on content subscriptions. That means the only lever Netflix can pull is price increases, and with its most recent hike this month, it will not have much margin to squeeze additional revenue out of its users.”
According to eMarketer, this year a total of 222.7 million people in the U.S. will watch digital video content on any device, up 3.2% over 2016. Adults in the U.S. will spend an average 76 minutes per day watching digital video this year, which is up 9.3% over last year. And, for comparison, U.S. adults will spend an average of three hours and 58 minutes a day watching traditional television this year, which reflects a 3.1% drop from last year.
Price hikes tend to unnerve investors and Wall Street, but as a leader in the world of streaming, it’s obvious that Netflix’s price increase was strategically announced before the release of the second season of Stranger Things and other popular offerings.
“The company has surely learned from last year’s very unpopular price increase. Even with the price increase, Netflix’s value proposition is unrivaled in comparison to other streaming services, and especially so for TV show lovers. Netflix is raising the price of its most popular plan by 10%, but the number of TV shows has already risen by 25% from last year,” explained Salminen. Original content, he added, is the best way to attract and retain subscribers. “This is understandable since Netflix’s original content is exclusive to the service and can’t be watched elsewhere. If you want to watch the second season of Stranger Things, you must subscribe to Netflix.”
Netflix has continued for years to up the number of TV shows offered. In October 2015, Netflix offered an approximate 1,100 TV shows in the U.S. and a year later the number was around 1,200. Currently, it’s around 1,500 according to Salminen’s research.
In Q3, the streamer cites a 33% global streaming revenue rise year-over-year, driven by a 24% increase in average paid memberships and 7% growth in ASP. The company’s operating income nearly doubled year-over-year to $209 million with its Q3 global operating margin of 7% putting the streamer right on track to achieve its full year target of 7%.
Netflix also saw a pre-tax $51 million non-cash loss from F/X re-measurement on its Euro bond, or $39 million after tax based on a 24% tax rate, and a higher than expected excess tax benefit from stock based compensation that benefited its tax rate by $5 million versus its forecast.
The foreign currency impact was up $13 million and Q3 international revenue grew 54% year-over-year, excluding currency and the international contribution profit margin of 4.7% exceeded the 2.3% guidance, also due to the timing of content deals.
Forecasts for Q4 include global net adds of 6.3 million (1.25 million stateside and more than 5 million internationally) versus 7 million last year, which was the streamer’s all-time high for quarterly net adds. “We recently announced price adjustments in many markets to our HD and 4K video plans while keeping our SD plan mostly unchanged. Existing members will be notified and their prices will be adjusted on a rolling basis over the next few months. Increased revenue over time will help us grow our content offering and continue our global operating margin growth.”
Netflix has been focused on a growing global operating margin as its primary profitability metric since hitting its 2020 U.S. contribution margin goal of 40% this past Q1. “This allows us to avoid near-term optimization for specific domestic or international contribution margin targets which could impede our long-term growth.”
The company anticipates this year’s fourth quarter to have a 34.4% U.S. contribution margin, which is a decline both year-on-year and sequentially, as it boosts its marketing investment against a growing content slate. “We spend disproportionately in the U.S. to generate media and influencer awareness for our programming, which we believe, in turn, is an effective way to facilitate word of mouth globally. In our international segment, we are on track to generate positive contribution profit for the full year.”
As Netflix moves into 2018, the streamer aims to achieve steady improvement in international profitability and a growing operating margin as its success in many large markets helps fund investments throughout Asia and the rest of the world.
For anyone who is unfamiliar with the term casting couch – it simply means the act where aspiring actresses and starlets are promised role in a movie for sex. Women are propositioned, bullied and in other cases, forced to have sex or raped by top producers or other studio execs all for the probability of a screen test or role in a movie.
This is a behaviour that has been around for years and dates back to the early days of Hollywood and most big name actresses we know today as well as many unknown ones have at some point in their careers been subject to the casting couch proposition.
Recently, the shocking but unsurprising allegations against top Hollywood producer Harvey Weinstein has thankfully brought what can only be described as the shame of the industry to the forefront and into the news.
When the New York times published a story of disturbing allegations against the producer, many came out in protest of support for him but that can of worms was opened and it gave way to an avalanche of revelations of years, perhaps decades of an history of systematic sexual harassment of several hollywood actresses including some A list starts. More disturbing was the revelation that Weinstein’s behavior over the years was a thing of common knowledge which was covered up and swept under the carpet by execs of the studio that he co-founded with his brother Bob.
Weinstein being a powerful career maker or breaker in Hollywood, enjoyed his reign of terror against female members of the industry in spite of his cinematic brilliance and laudable achievements.
Top actresses such as Angelina Jolie and Gwyneth Paltrow, have reportedly opened up about being propositioned by Weinstein and Oscar Winner Rose McGowan has gone as far as alleging she had been raped by the producer. The actress Tweeted in 2016 that she had been raped by a studio head who then bought the distribution rights to one of her films. She was then shamed while her rapist was adulated despite the rape being an open secret in Hollywood.
A year later, the studio head McGowan accused was revealed to have been Harvey Weinstein.
Other leading ladies such as Helen Mirren, Susan Sarandon, Alison Brie and Emmy Rossum have also spoken out about about the “creepy come-ons from powerful men that they experienced early in their careers”
In 2002, actress Lesley-Anne Down spoke of finding fame in the late 1960s: “The casting couch was in full swing, people expected it… My teen-age years were pretty intense, a lot of pressure and a lot of horrible old men out there”. In a 1977 interview, she had also said: “I was promised lots of lovely big film parts by American producers if I went to bed with them… Believe me, the casting couch is no myth” In 2015, Down discussed her experiences of sexual harassment in the 1970s by an unnamed legendary Hollywood actor and also by producer Sam Spiegel, saying that she had never really enjoyed her acting career: “Partly that was because of all the lecherous men, studio executives, producers and directors. There was so much running away and hiding under tables. Anyway, I started when I was ten and I’ve been doing it for 50 years
Jane Fonda revealed in March that she was once fired “because I wouldn’t sleep with my boss”, while Zoe Kazan recalled one producer describing his inappropriate behaviour towards her as “a joke”..
Lesley-Anne Down “Jeepers Creepers 2” Los Angeles Premiere Hollywood, California USA August 25, 2003 Photo by Jean-Paul Aussenard/WireImage.com To license this image (1398073), contact WireImage: +1 212-686-8900 (tel) +1 212-686-8901 (fax) firstname.lastname@example.org (e-mail) www.wireimage.com (web site)
MONTE-CARLO, MONACO – JUNE 10: Joan Collins arrives at the 52nd Monte Carlo TV Festival 2012 – Opening Ceremony at the Grimaldi Forum on June 10, 2012 in Monte-Carlo, Monaco. (Photo by Tony Barson/WireImage)
*Actresses who have all spoken out about the casting-couch culture
In a 1996 interview, actor Woody Harrelson declared “every [acting] business I ever entered into in New York seemed to have a casting couch … I’ve seen so many people sleep with people they loathe in order to further their ambition
The casting couch culture was also not unwilling to extend towards child abuse or even peadophilia. In 2011, former child actor Corey Feldman alleged that children were also victims of the casting couch. Paul Petersen said that some of the culprits are “still in the game” and Alison Arngrim claimed that Feldman and Corey Haim were given drugs and “passed around” in the 1980s
According to anti sex abuse campaigner Professor Caroline Heldman, the kind of behaviour Weinstein is accused of is widespread in Hollywood – and the floodgates are now open.
Speaking on Good Morning Britain today, Heldman said: “I think that something is shifting in Hollywood, with enough women coming forward and saying enough is enough.”
It’s certainly true that Weinstein isn’t the only culprit.
Marilyn Monroe once described Hollywood as “an overcrowded brothel, a merry-go-round with beds for horses”.
But one will be grossly misled in believing that the casting coach culture prevailed only in Hollywood. In October 2012, filmmaker Ben Fellows published claims that the casting couch was rife in the worlds of British television, theatre and advertising when he worked as a child actor and model in the 1980s. He claimed “the problem is both institutional and systemic in the entertainment industry.
In 2014, it was claimed that incarcerated former public relations guru Max Clifford’s “casting couch” at his Mayfair office was “his daughter’s specially adapted disabled toilet cubicle”
British TV star Myleene Klass explains: “I don’t think there’s a single person in the entertainment industry that hasn’t, at some point, experienced the casting couch thing – that’s why there is a term for it, the casting couch. So I’m not saying this like it’s the shock of the century.
In Bollywood, Asia’s movie industry, the casting couch culture also gave the world many of the known Bollywood names we know. Many actors both male and female have spoken how they were repeatedly asked to perform sexual acts at every audition. The famous Shashi Kapoor spoke about a famous female producer who propositioned young new male actors who came for movie roles for sexual favours. He alleged that the careers of many Bollywood stars started as a result of their performance on the casting couch.
In Nigeria’s movie industry, Nollywood, the casting couch culture is most prevalent. Many starlets are alleged to have been willing to perform various sexual acts for even minor or movie extra movie roles. In the early days of Nollywood, many wannabe actresses were more than happy just to appear in movie for no pay at all. But also very willing to pay the heavy price usually on the casting couch. Many are also reported to be have had to sleep with anyone from a studio gaffer to cameraman and just about anyone who can introduce them to a director or producer for an audition where they have to encounter the real “casting couch”
Historic cases of Casting Couch scandals:
In the first scandal to shake Hollywood, the comedian Roscoe “Fatty” Arbuckle attended a wild party in San Francisco in 1921 that ended in the death of actress Virginia Rappe. Rappe, writhing in pain from a ruptured bladder, accused Arbuckle of raping her. When she died days later, he was charged with murder, which was downgraded to manslaughter. Arbuckle was acquitted after three trials.
A TORN DRESS
Actor Errol Flynn had a two-year affair with Beverly Aadland, starting when she was 15. At the time of the affair Flynn had already been accused — and found not guilty — of the statutory rape of two underage girls in 1942. “I was scared,” Aadland wrote in People. “He was just too strong for me. I cried. At one point he tore my dress. Then he carried me off to another room, and I was still carrying on. What was going through my head was, what was I going to tell my mother?”
‘BE NICE TO ME’
Joan Collins says she lost out on the lead role in “Cleopatra” because she wouldn’t sleep with the studio head. “I had tested for ‘Cleopatra’ twice and was the front-runner. He took me into his office and said, ‘You really want this part?’ And I said, ‘Yes. I really do.’ ‘Well,’ he said, ‘then all you have to do is be nice to me.’ It was a wonderful euphemism in the Sixties for you know what. But I couldn’t do that. In fact, I was rather wimpish, burst into tears and rushed out of his office.” The role went to Elizabeth Taylor.
AMERICA’S LITTLE DARLING
In her memoir “Child Star,” actress Shirley Temple claimed that an MGM producer known to have an “adventuresome casting couch” unzipped his trousers and exposed himself to her during their first meeting in 1940. She was 12. Being innocent of male anatomy, she responded with nervous laughter, and he threw her out of his office. Fortunately, she had already signed her contract with MGM.
Marilyn Monroe was no stranger to lecherous studio chiefs and filmmakers and in her memoir, “My Story,” she didn’t hold back: “I met them all. Phoniness and failure were all over them. Some were vicious and crooked. But they were as near to the movies as you could get. So you sat with them, listening to their lies and schemes. And you saw Hollywood with their eyes — an overcrowded brothel, a merry-go-round with beds for horses.”
GROPED FOR YEARS
Judy Garland was pawed and propositioned for sex by studio bigwigs at MGM between the ages of 16 and 20, according to author Gerald Clarke, who wrote “Get Happy: The Life of Judy Garland.” One of the most notorious harassers was allegedly Louis B. Mayer, the head of the studio. “Mayer would tell her what a wonderful singer she was, and he would say ‘you sing from the heart’ and then he would place his hand on her left breast,” Clarke wrote.
STILL AT LARGE
Filmmaker Roman Polanski pleaded guilty to unlawful sexual intercourse with Samantha Geimer, then a 13-year-old aspiring actress during a photo shoot in Los Angeles in 1977. He gave her champagne and Quaaludes. “I didn’t want to have sex,” Geimer wrote in her memoir, “The Girl.” “But apparently that is what was going to happen.” Polanski fled the United States before final sentencing and is still wanted by judicial authorities. He has since faced more rape allegations.
Bill Cosby, the “Cosby Show” star once known as America’s Dad, is facing a retrial on charges he drugged and molested a former Temple University employee, at his home in 2004. He could get 10 years in prison. Cosby has said the encounter was consensual. He is free on $1 million bail. Dozens of additional accusers have come forward, including 13 women whom prosecutors want to call as witnesses to show that they were drugged and violated in similar fashion.
‘GOT THE WRONG GIRL’
Charlize Theron was new in Hollywood but knew the warning signs when she went to an audition. “I thought it was a little odd that the audition was on a Saturday night at his house in Los Angeles, but I thought maybe that was normal,” she told Marie Clarie in 2005. “I go inside and he’s offering me a drink, and I’m thinking, ‘My god, this acting stuff is very relaxed.’ But it soon becomes very clear what the situation was. I was like, ‘Not going to happen! Got the wrong girl, buddy!’”
Two women who worked on Casey Affleck’s film “I’m Still Here” filed sexual harassment lawsuits against him in 2010. One woman accused him of crawling into her bed without her consent while she was asleep, while the other woman said Affleck pressured her to stay in his hotel room and “violently” grabbed her arm when she refused. Both claims were settled out of court for an undisclosed amount in 2010. Affleck has repeatedly denied the allegations. He went on to win the best actor Oscar for “Manchester by the Sea.”
The story coming out at a time like this does not mean it is a new issue. Neither does it mean that the actresses who have been victims are only just coming out now. Reportedly, accusations and allegations have always been covered up and swept under the carpet and perpetrators have always been the top big powerful men whom no -one wants to cross or take on. The issue has now become a news item because a big media house has decided to take up the story and the “scape-goat” is a big name.
But you can be sure that they are many more like him and it is only a matter of time before their names are also made public.
Nigeria’s music sensation, David Adeleke aka Davido has said that he’ll soon be releasing a statement and footage on his friend Tagbo Umeike‘s demise.
Davido, 24, in his statement on Instagram said that he has avoided speaking on the incident out of respect for Tagbo and his family.
“Enough is enough. God bless you guys!! Everyone be safe please!!” he wrote.
This is coming after the release of the autopsy report which stated that the deceased had died from a combination of drugs and alcohol.
Lagos police commissioner Edgar Imohimi in a press briefing on Monday, said Davido has been reinvited for questioning. He said that Davido’s previous statement had said that his driver and two others dropped Tagbo’s body at the hospital and left.
According to Imohimi, the star had told the police he had left Shisha Bar for DNA Night Club in Victoria Island without the deceased and was only informed by mutual friends of his death while he was at DNA.
However, investigation revealed that Davido’s white Toyota Hilux escort driver, Tunde Usutu, accompanied by one Agbeje Olaoye and one Idris Busari, both Davido’s friends, took the deceased to the General Hospital Lagos and abandoned him in his vehicle on the instruction of Davido.
Davido was recently awarded the AFRIMA 2017 Artist of the year accolade.
Full autopsy report
The Medical Examiner’s Office autopsy has revealed that alcohol was a substantial factor in the death of a 35-year-old Tagbo Umeike, the friend of Davido who died on his birthday.
The result also showed that he had alcohol and drugs in his system capable of easing a person into the early stages of hypothermia and eventual death.
The toxicology tests detected alcohol (Bacardi 151, 75.5% Alcohol) and topiramate, a medication for epilepsy and/or migraines in a man’s system, in Tagbo Umeike.’
Tagbo’s blood-alcohol concentration (BAC) was at 0.112, higher than the 0.08 legal limit for normal human being state, the coroner’s office stated.
While his family claims that Tagbo “didn’t have a prescription for any type of topiramate medication”, the coroner’s office stated that the amount of drug in Tagbos’ system was in the “therapeutic range.”
A statement by the coroner’s office said, “Alcohol and topiramate are synergistic. When combined, the effect of either or both drugs is enhanced.”
“Topiramate, like alcohol, can cause dizziness, impaired memory, impaired concentration, poor coordination, confusion and impaired judgment.
“Central nervous system depression, or impairment, combined with cold exposure can hasten the onset of hypothermia and death.”